Posts from ‘TV/Movie Car’
Advertised as Quentin Tarantino’s ninth film, Once Upon a Time…in Hollywood is the story of a middle-aged actor and his longtime stuntman and personal friend set around the time of the Manson murders.
With an IMDB.com user rating of 8.6, the comedy/fantasy miniseries Good Omens has proven to be a hit with viewers. The Amazon Prime original program is based on a novel written by Terry Pratchett and Neil Gaiman, and stars Michael Sheen and David Tennant as supernatural beings conspiring to prevent an end-times apocalypse.
For as relatively new a form of communication as television is, the content broadcast via that medium ages incredibly quickly. In terms of style and language, it may be difficult to tell a book written in 1920 from one penned a couple of decades later. Television history, however, is well defined by rather short epochs, and none is more easily recognizable or uniquely self contained than the Eighties.
The wonderful thing about bad movies, especially bad action/adventure movies, is that they are often redeemed (at least partially) by something utterly absurd.
For many car enthusiasts, the most memorable (and cringe-inducing) element of the 1971 cult-classic movie Harold and Maude is the conversion of a Jaguar E-Type roadster into a hearse. Harold and Maude is the offbeat story of a death-obsessed young man, Harold (Bud Cort), who falls in love with a free-spirited elderly woman, Maude (Ruth Gordon). Harold and Maude was an early work by acclaimed director Hal Ashby, who would go on to direct such films as The Last Detail, Coming Home, Shampoo, and Being There.
Here’s a question for you: What was Jaguar’s biggest-ever marketing blunder? Many might argue it was the X-Type, a compact sedan that was little more than a Ford Mondeo (called Contour in the U.S.) gilded with a Jaguar grille, curvy sheet metal, and some extra wood and leather inside. By virtually every measure, the X-Type was a flop as a Jaguar, though the wagon version was not without its charms.
The recently released period-piece drama Phantom Thread is a noteworthy film for many reasons. For starters, it was written and directed by celebrated auteur Paul Thomas Anderson, it’s been nominated for six Academy Awards (including Best Picture and Actor in a Leading Role), and it stars Oscar-winning thespian Daniel Day-Lewis in what Day-Lewis himself says is his last acting performance. For car enthusiasts, however, the film’s Bristol 405 four-door saloon is the real star.
In the large motorhome biz, it is customary for a coachbuilder to purchase a basic chassis and powertrain from a truck maker, and then assemble its end product on that procured rolling framework. That’s how big-name motorhome companies such as Winnebago and Holiday Rambler do it.
Jim Rockford is the only TV detective with a driving move named for him. The late James Garner, who played Jim Rockford, didn’t invent the reverse 180-degree “J-turn,” but he used it so often in The Rockford Files television series that the maneuver is forever associated with the character. To execute a “Rockford,” Jim Rockford would drive about 35 mph in reverse, then let off the gas, turn the steering wheel sharply, and pull on the emergency brake. The car’s front end would swing around 180 degrees, and Rockford would be off—now driving forward.
No college film course is complete without a serious look at Fritz Lang’s 1927 epic Metropolis. Best known for its pioneering futurism, cutting-edge directing, and dystopian prognostication, the film is a must see for movie lovers.